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{{Infobox musical artist <!-- See Wikipedia:WikiProject Musicians -->|name=Coil|image=Coil_band.jpg|caption=Coil (left to right: [[John Balance]], [[Peter Christopherson]])|image_size=<!-- Only for images narrower than 220 pixels -->|landscape=yes|background=group_or_band|alias=Black Light District, ELpH, Sickness of Snakes, The Eskaton, Time Machines|origin=London, England|genre=[[Experimental music|Experimental]], [[industrial music|industrial]], [[Electronic music|electronic]], [[Avant-garde music|avant-garde]], [[Noise music|noise]], [[synthpop]], [[Ambient music|ambient]]|years_active=1982&ndash;2004|label=[[Some Bizzare Records|Some Bizzare]], [[Threshold House]], [[Eskaton]], [[Chalice (record label)|Chalice]], [[The Unreleased Themes For Hellraiser|Solar Lodge]]|associated_acts=[[Throbbing Gristle]], [[Psychic TV]], [[The Threshold HouseBoys Choir]], [[Zos Kia]], [[Soisong]]|website={{URL|thresholdhouse.com}}|current_members=|past_members=[[John Balance]]<br />[[Peter Christopherson]]<br />[[Stephen Thrower]]<br />[[Drew McDowall]]<br />[[William Breeze]]<br />[[Thighpaulsandra]]<br />[[Ossian Brown]]}}
|nazwa = Coil
*'''Coil''' was an English cross-genre, [[:en:Experimental_music|experimental]] music group formed in 1982 by [[:en:John_Balance|John Balance]]&#x2014;later credited as "Jhonn Balance"&#x2014;and his life partner and collaborator [[:en:Peter_Christopherson|Peter Christopherson]], aka "Sleazy".<ref name="AbrAhAdAbrA2">{{cite news|url=http://maldoror.com/artists/coil/abrahadabra1.htm|title=Coil Interview: The Price of Existence is Eternal Warfare|work=AbrAhAdAbrA|issue=1|date=23 January 1985|accessdate=19 April 2010}}</ref> The duo worked together on a series of releases before Balance chose the name Coil, which he claimed to be inspired by the [[:en:Omnipresence|omnipresence]] of the [[:en:Electromagnetic_coil|coil]]'s shape in nature. Today, Coil remains one of the most influential and best-known [[:en:Industrial_music|industrial music]] groups. The group's first official release as Coil was a 1984 12" album titled ''[[:en:How_to_Destroy_Angels_(song)|How to Destroy Angels]]'' released on the Belgian [[:en:Les_Disques_du_Crépuscule|Les Disques du Crépuscule]]'s sublabel LAYLAH Antirecords. Following the 12"s success, [[:en:Some_Bizzare_Records|Some Bizzare Records]] produced two albums, ''[[:en:Scatology_(album)|Scatology]]'', ''[[:en:Horse_Rotorvator|Horse Rotorvator]]'' and Coil departed SomeBizzare Label and Produced ''[[:en:Love's_Secret_Domain|Love's Secret Domain]]'', which met with little commercial success, but were praised as innovative due to their blend of industrial music and [[:en:Acid_house|acid house]].<ref name="Liar Society2">{{cite web|url=http://liarsociety.tripod.com/blog/index.blog?from=20041130|archiveurl=https://web.archive.org/web/20080206210600/http://liarsociety.tripod.com/blog/index.blog?from=20041130|archivedate=6 February 2008|title=Coil: Scatology, Horse Rotorvator, Love's Secret Domain|publisher=Liar Society|date=2004-10-30|accessdate=12 February 2007}}</ref><ref name="NME 19852">{{Cite news|last=Kopf|first=Biba|author-link=|last2=|first2=|author2-link=|title=The Soil And Spoil Tactics Of Coil|newspaper=NME|pages=|date=20 April 1985|url=|postscript=<!--None-->}}</ref> In 1985, the group began working on a series of soundtracks, amongst them music for the first ''[[:en:Hellraiser|Hellraiser]]'' movie based on the novel ''The Hellbound Heart'' by their acquaintance at that time, [[:en:Clive_Barker|Clive Barker]]. The group's first live performance in 16 years occurred in 1999, and began a series of mini-tours that would last until 2004.<ref name="Brainwashed Live Archive2">{{cite web|url=http://www.brainwashed.com/coil/live/|title=Live Archive|publisher=brainwashed.com|date=2004|accessdate=12 February 2007}}</ref> Following the death of John Balance on 13 November 2004, Christopherson announced via their official record label website [[:en:Threshold_House|Threshold House]] that Coil as an entity had ceased to exist. == Początek (1982–1984) == Coil został utworzony w 1982 and became a full-time concern in 1984, po odejściu Christophersona z [[:en:Psychic_TV|Psychic TV]].<ref name="AbrAhAdAbrA2" /> Balance i Christopherson zaczęli pracować z [[:en:John_"Zos_Kia"_Gosling|Johnem Goslingiem]] nad projektem [[:en:Zos_Kia|Zos Kia]], co zaowocowało czterma występami na żywo w 1984 i nagraniem ''[[:en:Transparent_(Coil_album)|Transparent]]''. Po odejściu Goslinga, Balance i Christopherson teamed up with [[:en:Boyd_Rice|Boyd Rice]], and under the alias ''Sickness of Snakes'', released the split four-track album, ''[[:en:Nightmare_Culture|Nightmare Culture]]'', with the experimental group [[:en:Current_93|Current 93]] in 1985.<ref>{{cite web|title=93 Current 93* / Sickness Of Snakes – Nightmare Culture|url=http://www.discogs.com/93-Current-93-Sickness-Of-Snakes-Nightmare-Culture/release/104001|website=93 Current 93* / Sickness Of Snakes on Discogs|publisher=Discogs|accessdate=4 January 2015|date=2015}}</ref> == ''Scatology'', ''Horse Rotorvator'' i ''Love's Secret Domain'' (1984–1992) == Following the underground hit ''How to Destroy Angels'', Coil left [[:en:L.A.Y.L.A.H._Antirecords|L.A.Y.L.A.H. Antirecords]] for Some Bizzare Records and produced ''Scatology'', released in 1984 as their first full-length studio album. The album was largely based on the sound of industrial music as well as the [[:en:Post-punk|Post-punk]] movement. While songs such as "Restless Day", "Panic" and "Tainted Love" are representative of a mainstream style, other tracks preview what would become Coil's unique electronic style. The single ''[[:en:Panic/Tainted_Love|Panic/Tainted Love]]'' became the first AIDS benefit music release, as the profits from sales of the single were donated to the [[:en:Terrence_Higgins_Trust|Terrence Higgins Trust]].<ref>{{cite web|last=Vague|first=Tom|title=Boys From The Crap Stuff|url=http://www.brainwashed.com/common/htdocs/publications/coil-1985-zigzag.php?site=coil08|publisher=ZigZag Magazine|accessdate=25 November 2012}}</ref> The "Tainted Love" music video, directed by Christopherson, is in the permanent collection of [[:en:The_Museum_of_Modern_Art|The Museum of Modern Art]] in New York, U.S.<ref name="Lust's Dark Exit2">{{cite news|url=http://www.brainwashed.com/common/htdocs/publications/coil-1991-lusts_dark_exit.php?site=coil08|title=Lust's Dark Exit|work=Electric Dark Space|year=1991|accessdate=19 April 2010}}</ref> ''Horse Rotorvator'' followed in 1986 as the next full-length release. Although songs such as "The Anal Staircase" and "Circles of Mania" sound like evolved versions of ''Scatology'' material, the album is characterized by slower tempos, and represented a new direction for the group. The album has a darker theme than previous releases, according to Balance:<blockquote>Horse Rotorvator was this vision I'd had of this mechanical/flesh thing that ploughed up the earth and I really did have a vision of it&#x2014;a real horrible, burning, dripping, jaw-like vision in the night ... The [[:en:Four_Horsemen_of_the_Apocalypse|Four Horsemen of the Apocalypse]] killed their horses and use their jawbones to make this huge earth-moving machine."<ref name="The Wire 1752">{{cite news|url=http://www.thewire.co.uk/issues/175/?show=full#print_description|author=Keenan, David|author-link=David Keenan|title=Time Out Of Joint|work=The Wire|date=September 1998|accessdate=19 April 2010}}</ref></blockquote>The artwork features a photograph of the location of a notorious [[:en:Provisional_Irish_Republican_Army|IRA]] bombing, in which a bomb was detonated on a military orchestra pavilion.<ref name="Lust's Dark Exit2" /> ''Horse Rotorvator'' was in part influenced by the [[:en:AIDS|AIDS]] related deaths of some of their friends.<ref name="Alternative Press, Issue 382">{{cite news|url=http://brainwashed.com/coil/writings/altpress.html|author=Sonn, Marlena|title=Entering A More Pleasant Domain|work=Alternative Press|date=June 1991|accessdate=20 April 2010}}</ref> Furthermore, the song "Ostia (The Death of Pasolini)", is about the mysterious death of [[:en:Pier_Paolo_Pasolini|Pier Paolo Pasolini]], as well as what Balance described as "the number one suicide spot in the world", the [[:en:White_cliffs_of_Dover|white cliffs of Dover]].<ref name="Radio Inferno, Dutch Radio4 Supplement2">{{cite interview|last=Coil|first=|subjectlink=|last2=|first2=|subject2=|subjectlink2=|last3=|first3=|subject3=|subjectlink3=|last4=|subject4=|interviewer=|title=Radio Inferno, Dutch Radio4 Supplement|type=|url=http://brainwashed.com/common/sounds/mp3/coil-interview-radio_inferno-20010620.mp3|format=|program=|callsign=NPS|city=|date=June 20, 2001|accessdate=26 July 2009|deadurl=yes|archiveurl=https://web.archive.org/web/20100106194519/http://brainwashed.com/common/sounds/mp3/coil-interview-radio_inferno-20010620.mp3|archivedate=6 January 2010}}</ref> After the release of ''Horse Rotorvator'', Coil left Some Bizzare Records.<ref name="Tape Delay2">{{cite news|url=http://brainwashed.com/coil/writings/tapedelay.html|author=Neal, Charles|title=Tape Delay|work=Tape Delay|year=1987|accessdate=20 April 2010}}</ref> ''[[:en:Gold_Is_the_Metal_with_the_Broadest_Shoulders|Gold Is the Metal with the Broadest Shoulders]]'' followed as a full-length release in 1987, marking the beginning of the band's own label, [[:en:Threshold_House|Threshold House]]—the album is described in the liner notes as "not the follow up to ''Horse Rotorvator'', but a completely separate package&nbsp;– a stopgap and a breathing space - the space between two twins," which refers to ''Horse Rotorvator'' and ''Love's Secret Domain''.<ref>{{cite web|title=Coil – Gold Is The Metal (With The Broadest Shoulders)|url=http://www.discogs.com/Coil-Gold-Is-The-Metal-With-The-Broadest-Shoulders/release/194181|website=Coil on Discogs|publisher=Discogs|accessdate=4 January 2015|date=2015}}</ref> The 13-track ''Unnatural History'' compilation was then released on Threshold House in 1990. The first three songs on the album were first released as one half of the ''Nightmare Culture'' mini-album.<ref>{{cite web|title=Coil – Unnatural History (Compilation Tracks Compiled)|url=http://www.discogs.com/Coil-Unnatural-History-Compilation-Tracks-Compiled/release/3652115|website=Coil on Discogs|publisher=Discogs|accessdate=4 January 2015|date=2015}}</ref> ''Love's Secret Domain'' (abbreviated ''LSD'') followed in 1991 as the next "proper" Coil album, although a few minor releases had been produced since ''Horse Rotorvator''. ''LSD'' represents a progression in Coil's style and became a template for what would be representative of [[:en:List_of_post-industrial_music_genres_and_related_fusion_genres|newer waves of post-industrial music]], blended with their own style of [[:en:Acid_house|acid house]]. Although the album was more upbeat, it was not intended as a dance record, as Christopherson explained "I wouldn't say it's a party atmosphere, but it's more positive."<ref name="Alternative Press, Issue 382" /><ref name="La Stampa2">{{cite web|url=http://brainwashed.com/common/sounds/mp3/coil-interview-vpro_radio-la_stampa_i_v-1991_04_17.mp3|title=La Stampa|publisher=VPRO|date=April 17, 1991|accessdate=6 January 2007}}</ref> "[[:en:Windowpane_(album)|Windowpane]]" and a [[:en:Jack_Dangers|Jack Dangers]] remix of "[[:en:The_Snow|The Snow]]" were released as singles, both of which had music videos directed by Christopherson. The video for "Windowpane" was shot in the [[:en:Golden_Triangle_(Southeast_Asia)|Golden Triangle]], where, Balance claimed, "the original Thai and Burmese drug barons used to exchange opium for gold bars with the CIA."<ref name="Alternative Press, Issue 382" /> Christopherson recalled "John [Balance] discovered while he was performing that where he was standing was quicksand! In the video you can actually see him getting deeper and deeper."<ref name="Alternative Press, Issue 382" /> Furthermore, [[:en:Thai_people|Thai]] friends of the group commented that they had known of several people that died where Coil had shot footage for the music video.<ref name="Alternative Press, Issue 382" /> A music video for the song "Love's Secret Domain" was also shot, which was initially unreleased due to its nature: as Christopherson explained, "We shot 'Love's Secret Domain' in a go-go boy bar in Bangkok; with John [Balance] performing on stage with about 20 or 30 dancing boys, which probably won't get played on MTV, in fact!"<ref name="Alternative Press, Issue 382" /> As of January 2015, the music video is viewable on more than one YouTube channel.<ref>{{cite web|author1=Peter Christopherson|title=Coil - Love's Secret Domain|url=https://www.youtube.com/watch?v=mUY_zpPeab0|website=TheCoilFan on YouTube|publisher=Google Inc|accessdate=4 January 2015|format=Video upload|date=30 September 2011}}</ref><ref>{{cite web|author1=Peter Christopherson|title=Coil, "Love's Secret Domain" (1991 version)|url=https://www.youtube.com/watch?v=2G3MPHwRAwQ|website=Jon Whitney on YouTube|publisher=Google Inc|accessdate=4 January 2015|format=Video upload|date=12 December 2013}}</ref> ''[[:en:Stolen_&_Contaminated_Songs|Stolen & Contaminated Songs]]'' followed as a full-length release in 1992. However, as with ''Gold Is the Metal...'', it is a collection of outtakes and demos from the ''LSD'' era.<ref name="Con2">{{cite web|title=Coil: An interview with John Balance|author=Tony Dickie|url=http://www.compulsiononline.com/interview_coil.htm|website=Compulsion online|publisher=Compulsion|accessdate=4 January 2015|date=1992}}</ref> == Soundtracki and side projects (1993–1998) == Coil separated their works into many [[:en:Side_project|side projects]], publishing music under different names and a variety of styles. The pre-Coil aliases, Zos Kia and Sickness of Snakes, formed the foundation of a style that would evolve to characterize their initial wave of releases. Before embarking on their second wave of side projects and pseudonyms, Coil created a soundtrack for the movie ''[[:en:Hellraiser|Hellraiser]]'', although they withdrew from the project when they suspected their music would not be used.<ref name="Compulsion, Number 12">{{cite news|url=http://brainwashed.com/coil/writings/compulsion.html|author=Dickie, Tony|title=Compulsion|work=Compulsion|date=Winter 1992|accessdate=20 April 2010}}</ref> Furthermore, Coil claimed inspiration for [[:en:Pinhead_(Hellraiser)|Pinhead]] was partly drawn from the piercing magazines that director Barker borrowed from the group.<ref name="Compulsion, Number 12" /> Balance explained after the release of ''Stolen and Contaminated Songs'', in around 1992:<blockquote>Yeah it would have been brilliant but we wouldn’t have carried on, because they were changing everything and they weren’t being very nice to us, the actual film people. They were keeping us in the dark a lot. We said we’d had enough just at the same time they decided they wanted to use Howard Shore. They just wanted normal film music. They didn’t want anything too scary which is sad and ridiculous for a horror film.<ref name="Con2" /></blockquote>Also in 1992, Threshold House released a "Remixes And Re-Recordings" version of ''How to Destroy Angels''. [[:en:Nurse_with_Wound|Nurse with Wound]]'s [[:en:Steven_Stapleton|Steven Stapleton]] contributed a remix of the song, "How To Destroy Angels II".<ref>{{cite web|title=Coil – How To Destroy Angels (Remixes And Re-Recordings)|url=http://www.discogs.com/Coil-How-To-Destroy-Angels-Remixes-And-Re-Recordings/release/59384|website=Coil at Discogs|publisher=Discogs|accessdate=4 January 2015|date=2014}}</ref> Beginning in 1993, Coil contributed music to two of [[:en:Derek_Jarman|Derek Jarman]]'s films, ''[[:en:Blue_(1993_film)|Blue]]'' and ''[[:en:The_Angelic_Conversation_(film)|The Angelic Conversation]]''. In addition, they recorded soundtracks for the documentary ''[[:en:Gay_Man's_Guide_to_Safer_Sex|Gay Man's Guide to Safer Sex]]'' as well as ''Sarah Dales Sensuous Massage'', though both remain unreleased.<ref name="Compulsion, Number 12" /> Much like the pre-Coil aliases, Coil's series of side projects represented a diverse basis from which the group evolved a different style of sound. While ''[[:en:Nasa_Arab|Nasa Arab]]''&#x2014;credited to the group's project "The Eskaton"&#x2014;was Coil's farewell to the acid house genre, the following projects, [[:en:Born_Again_Pagans|ELpH]], [[:en:A_Thousand_Lights_in_a_Darkened_Room|Black Light District]], and [[:en:Time_Machines|Time Machines]], were all based heavily on experimentation with [[:en:Drone_music|drone]], an ingredient that would define Coil's following work. These releases also launched the start of Coil's new label [[:en:Eskaton|Eskaton]]. ''Transparent'' was reissued in CD format in 1997 on Threshold House.<ref>{{cite web|title=Threshold House|url=http://www.discogs.com/label/3193-Threshold-House|website=Threshold House on Discogs|publisher=Discogs|accessdate=4 January 2015|date=2015}}</ref> A disc and booklet were packaged in a "thick" slipcase, which was released in partnership with the World Serpent music company.<ref>{{cite web|title=Zos Kia / Coil – Transparent|url=http://www.discogs.com/Zos-Kia-Coil-Transparent/release/90862|website=Zos Kia / Coil on Discogs|publisher=Discogs|accessdate=4 January 2015|date=2015}}</ref> == Późny Coil (1998–2004) ==<!-- Deleted image removed: [[File:JohnBalanceAndPeterChristophersonRoughtrade6.jpg|thumb|200px|right|Balance and Christopherson later in the Coil career.]] --> After the wave of experimental side projects, Coil's sound was completely redefined. Before releasing new material, the group released the compilations ''[[:en:Unnatural_History_II|Unnatural History II]]'', ''[[:en:Windowpane_&_The_Snow|Windowpane & The Snow]]'' and ''[[:en:Unnatural_History_III|Unnatural History III]]''. In March 1998, Coil began to release a series of four singles which were timed to coincide with the [[:en:Equinox|equinox]] and [[:en:Solstice|solstices]] of that year. The singles are characterized by slow, drone-like instrumental rhythms, and electronic or orchestral instrumentation.<ref name="Moons Milk (Brainwashed.com)2">{{cite web|url=http://www.brainwashed.com/common/htdocs/discog/eskaton23.html|archiveurl=https://web.archive.org/web/20080130090724/http://www.brainwashed.com/common/htdocs/discog/eskaton23.html|archivedate=30 January 2008|title=Moons Milk|publisher=Brainwashed.com|accessdate=1 March 2007}}</ref> The first single, ''[[:en:Spring_Equinox:_Moon's_Milk_or_Under_an_Unquiet_Skull|Spring Equinox: Moon's Milk or Under an Unquiet Skull]]'', featured two versions of the same song, the second version of which included an [[:en:Viola#Electric_violas|electric viola]] contribution from a newly inducted member, [[:en:William_Breeze|William Breeze]]. The second single, ''[[:en:Summer_Solstice:_Bee_Stings|Summer Solstice: Bee Stings]]'', also featured performances by Breeze, and also included the [[:en:Industrial_music|industrial]]-[[:en:Noise_music|noise]] song "A Warning from the Sun (For Fritz)", which was dedicated to a friend of Balance and Christopherson's who had committed suicide earlier that year.<ref name="Coil News 19982">{{cite web|url=http://brainwashed.com/coil/news/news1998.html|title=Coil News 1998|publisher=Brainwashed.com|date=1998|accessdate=4 January 2007}}</ref> The third single, ''[[:en:Autumn_Equinox:_Amethyst_Deceivers|Autumn Equinox: Amethyst Deceivers]]'' includes the track "Rosa Decidua", which features vocals by [[:en:Rose_McDowall|Rose McDowall]]. The single also features the song "[[:en:Amethyst_Deceivers|Amethyst Deceivers]]", later reworked and performed throughout most of Coil's tour—it was eventually re-made into an alternate version on the LP ''[[:en:The_Ape_of_Naples|The Ape of Naples]]''. The fourth single, ''[[:en:Winter_Solstice:_North_(album)|Winter Solstice: North]]'', also includes a track sung by McDowall, and is partially credited to the side project [[:en:Rosa_Mundi_(group)|Rosa Mundi]]. The series would later be re-released as the double-CD set, ''[[:en:Moon's_Milk_(In_Four_Phases)|Moon's Milk (In Four Phases)]]''. ''[[:en:Astral_Disaster|Astral Disaster]]'' was created with the assistance from new band member [[:en:Thighpaulsandra|Thighpaulsandra]], and was released in January 1999 via [[:en:Sun_Dial|Sun Dial]] member Gary Ramon's label, Prescription.<ref name="Astral Disaster (Brainwashed.com)2">{{cite web|url=http://www.brainwashed.com/common/htdocs/discog/drug8.html|archiveurl=https://web.archive.org/web/20071217090207/http://www.brainwashed.com/common/htdocs/discog/drug8.html|archivedate=17 December 2007|title=Astral Disaster|publisher=Brainwashed.com|accessdate=1 March 2007}}</ref> Although the album was initially limited to just 99 copies, it would later be re-released in a substantially different form. ''[[:en:Musick_To_Play_In_The_Dark_Vol._1|Musick To Play In The Dark Vol. 1]]'' followed in September 1999, and a few months later Coil performed their first concert in 16 years. ''[[:en:Queens_Of_The_Circulating_Library|Queens Of The Circulating Library]]'' followed in April 2000, with production credit given to Thighpaulsandra. The single-track, full-length drone album is the only Coil release made without the assistance of Christopherson. ''[[:en:Musick_To_Play_In_The_Dark_Vol._2|Musick To Play In The Dark Vol. 2]]'' followed in September 2000, and Coil began to perform live more intensively, a period that also included writing the music for ''[[:en:Black_Antlers|Black Antlers]]'' in between a series of mini-tours.<ref name="Black Antlers (Brainwashed.com)2">{{cite web|url=http://www.brainwashed.com/common/htdocs/discog/coilcdr4.html|archiveurl=https://web.archive.org/web/20071217184530/http://www.brainwashed.com/common/htdocs/discog/coilcdr4.html|archivedate=17 December 2007|title=Black Antlers|publisher=Brainwashed.com|accessdate=1 March 2007}}</ref> Coil also released a series of live albums around this time. ''[[:en:Constant_Shallowness_Leads_To_Evil|Constant Shallowness Leads To Evil]]'', a [[:en:Noise_music|noise]]-driven experimental album reminiscent of Christopherson's work with Throbbing Gristle, was first sold at a live performance in September 2000. Coil finally released ''Black Antlers'' in June 2004. In contrast to many of their earlier releases, Coil's later material is characterized by a slower sound which relies more on drone than acid house. This change in sound was reflected in their live performances, as songs like "Ostia" and "Slur" were slowed down from their original pace, as well as re-recordings of "Teenage Lightning" and "Amethyst Deceivers" that were later released on ''The Ape Of Naples''.<ref name="The Ape Of Naples (Brainwashed.com)2">{{cite web|url=http://www.brainwashed.com/common/htdocs/discog/thresh2.html|archiveurl=https://web.archive.org/web/20080129104748/http://www.brainwashed.com/common/htdocs/discog/thresh2.html|archivedate=29 January 2008|title=The Ape Of Naples|publisher=Brainwashed.com|accessdate=1 March 2007}}</ref> == Coil Live ==<!-- Deleted image removed: [[File:2004July25CoilLivePic6.jpg|thumb|200px|left|[[Coil Live]] 2004 July 25 in London]] -->
|zdjęcie =
{{main|Coil Live}}Coil's live incarnation is associated with a distinct legacy. The first live shows took place in 1983, but after only four performances, 15 years would pass before they would play live again.<ref name="Brainwashed Live Archive2" /> On 14 December 1999, Coil performed ''[[:en:Elph.zwölf|elph.zwölf]]'' at [[:en:Volksbuehne|Volksbuehne]] in Berlin. Although the performance lasted just under 18 minutes, it marked the beginning of a new era of live performances. Coil would go on to perform close to 50 additional concerts, with varied [[:en:Set_list|set lists]] as well as performers. Coil performed twice at the Royal Festival Hall in 2000. The first concert was in April, as part of a weekend curated by Julian Cope, when they first performed as the full band line-up&nbsp;&#x2013; and wearing the "fluffy suits" that would become a staple of live performances for the first time&nbsp;&#x2013; performing ''Time Machines''. They performed again in September, sharing a bill with Jim Thirlwell (as [[:en:Foetus_(band)|Foetus]]) on that occasion. Both performances were full sets. Coil's performances were surrealistic visually and audibly. The signature fluffy suits, an idea inspired by [[:en:Sun_Ra|Sun Ra]], played a foremost role at the live shows.<ref name="Rattlebag Radio RTE interview2">{{cite interview|last=|first=|subject=Coil|subjectlink=|last2=|first2=|subject2=|subjectlink2=|last3=|first3=|subject3=|subjectlink3=|last4=|subject4=|interviewer=Dungan, Myles.|title=Rattlebag|publisher=[[RTÉ Radio 1]]|type=|url=http://brainwashed.com/common/sounds/mp3/coil-interview-rattlebag_dublin-20041022.mp3|format=|program=|callsign=|city=Dublin, Ireland|date=22 October 2004|accessdate=26 July 2009|deadurl=yes|archiveurl=https://web.archive.org/web/20060505090755/http://brainwashed.com/common/sounds/mp3/coil-interview-rattlebag_dublin-20041022.mp3|archivedate=5 May 2006}}</ref> The suits would later be used as album covers for the release ''[[:en:Live_One_(Coil_album)|Live One]]'', while other costumes appear on the covers of ''[[:en:Live_Two|Live Two]]'' and ''[[:en:Live_Three|Live Three]]''—straitjacket and mirror-chested hooded jumpsuit, respectively. Video screens projected footage and animations created by Christopherson, while fog machines created an eerie atmosphere. Balance would often screech and howl during performances, which would add to the effect. The band's performance at the 2003 [[:en:All_Tomorrow's_Parties_(music_festival)|All Tomorrow's Parties]] festival was released as ''[[:en:...And_The_Ambulance_Died_In_His_Arms|...And The Ambulance Died In His Arms]]''. Released on Threshold House in 2005 as a digipak, a Thai version was released the following year. ''...And The Ambulance Died In His Arms'' was released under a name chosen by Balance before his death in November 2004.<ref>{{cite web|title=Coil – ...And The Ambulance Died In His Arms|url=http://www.discogs.com/Coil-And-The-Ambulance-Died-In-His-Arms/release/4948357|website=Coil on Discogs|publisher=Discogs|accessdate=4 January 2015|date=2015}}</ref><ref>{{cite web|title=Coil – ...And The Ambulance Died In His Arms|url=http://www.discogs.com/Coil-And-The-Ambulance-Died-In-His-Arms/release/444071|website=Coil on Discogs|publisher=Discogs|accessdate=4 January 2015|date=2015}}</ref> Many Coil performances were released, including the widely available releases of ''[[:en:Live_Four|Live Four]]'', ''[[:en:Live_Three|Live Three]]'', ''[[:en:Live_Two|Live Two]]'', ''[[:en:Live_One_(Coil_album)|Live One]]'' and ''...And The Ambulance Died In His Arms'', as well as several very limited editions, such as ''[[:en:Selvaggina,_Go_Back_Into_The_Woods|Selvaggina, Go Back Into The Woods]]'' and ''[[:en:Megalithomania!|Megalithomania!]]''. Video recordings of several concerts were released on the DVD box set, ''[[:en:Colour_Sound_Oblivion|Colour Sound Oblivion]]'', in 2010.<ref name="Brainwashed 2006 News">{{cite web|url=http://www.brainwashed.com/coil/main.html|archiveurl=https://web.archive.org/web/20080131122259/http://www.brainwashed.com/coil/main.html|archivedate=31 January 2008|title=NEWS|publisher=brainwashed.com|date=2006|accessdate=1 March 2007}}</ref> Coil's final performance was at DEAF (Dublin Electronic Arts Festival), Dublin City Hall in [[:en:Ireland|Ireland]].<ref>{{cite web|author1=Ian Maleney|title=D1: A Dublin Techno Institution|url=http://www.redbullmusicacademy.com/magazine/d1-recordings-feature|website=Red Bull Music Academy|publisher=Red Bull|accessdate=4 January 2015|date=26 June 2014}}</ref> == Śmierć Balance'a i Christophersona == Balance died on 13 November 2004, after he fell from a second-floor landing in his home. Christopherson announced Balance's death on the Threshold House website, and provided details of the circumstances of the death. Balance's memorial service was held near Bristol on 23 November 2004, and was attended by approximately 100 people.<ref name="Departures">{{cite web|last=Christopherson|first=Peter|authorlink=Peter Christopherson|title=Who'll Fall?|work=Threshold House|dead-url=yes|year=2005|accessdate=2 March 2007|url=http://www.thresholdhouse.com/departures.html|archiveurl=https://web.archive.org/web/20070226223256/http://www.thresholdhouse.com/departures.html|archivedate=26 February 2007}}</ref> The final studio album, ''The Ape of Naples'', was released on 2 December 2005. In August 2006, the rare CD-R releases, ''[[:en:The_Remote_Viewer|The Remote Viewer]]'' and ''Black Antlers'', were "sympathetically remastered" and expanded into two disc versions, which included new and recently remixed material. A comprehensive 16-DVD boxset, titled ''[[:en:Colour_Sound_Oblivion|Colour Sound Oblivion]]'', was released in July 2010. A "Patron Edition" was pre-orderable in November 2009 and sold out in three hours. Christopherson also discussed the possibility of releasing Coil's entire back catalogue on a single [[:en:Blu-ray|Blu-ray]] disc.<ref name="Coil: The Million Dollar Altar">{{cite web|last=Regnaert|first=Grant|last2=Ferguson|first2=Paul|title=Coil: The Million Dollar Altar|work=Brainwashed.com|accessdate=26 July 2009|date=26 August 2006|url=http://brainwashed.com/index.php?option=com_content&task=view&id=5456}}</ref> In November 2006, the official Coil website posted the following announcement: "Following the success of Thai pressings of ''The Remote Viewer'' and ''Black Antlers'', and after many requests, we are planning to expand the CD catalog still further." A few days later ''[[:en:Duplais_Balance|Duplais Balance]]'' and ''[[:en:Moon's_Milk_In_Six_Phases|Moon's Milk In Six Phases]]'' were announced.<ref name="Arrivals">{{Cite news|last=Christopherson|first=Peter|author-link=Peter Christopherson|title=Arrivals|newspaper=Threshold House|year=2006|url=http://www.thresholdhouse.com/arrivals.html|accessdate=26 July 2009|postscript=<!--None-->}}</ref> Furthermore, an expanded vinyl version of ''The Ape Of Naples'', which includes the album ''[[:en:The_New_Backwards|The New Backwards]]'' has been released and a two disc version of ''[[:en:Time_Machines|Time Machines]]'' has been announced.<ref name="Arrivals" /> Six years after the death of Balance, Christopherson died in his sleep on 24 November 2010 in Bangkok, Thailand.<ref>[http://www.brainwashed.com/coil/ Coil-Bandwebsite]</ref> == Background == === Limited editions === Coil's distribution and marketing techniques sometimes included releasing a limited number of albums, thereby making them collectors' items among fans.<ref name="Coil News 2000">{{cite web|url=http://brainwashed.com/coil/news/news2000.html|title=Coil News 2000|publisher=Brainwashed.com|date=2000|accessdate=23 December 2006}}</ref> Including things such as "art objects", blood stains and [[:en:Sigil_(magic)|sigil]]-like autographs in the packaging of their albums, Coil claimed that this made their work more personal for true fans, turning their records into something akin to [[:en:Occult|occult]] artifacts.<ref name="Radio Inferno, Dutch Radio4 Supplement2" /> This practice was markedly increased in the later half of Coil's career. However, Balance expressed interest in having regular Coil albums in every shop that wanted them.<ref name="Radio Inferno, Dutch Radio4 Supplement2" /> Some critics have accused Coil and its record company of [[:en:Price_gouging|price gouging]].<ref name="Brainwashed: The Wheel">{{cite web|url=http://brainwashed.com/common/htdocs/discog/loci2.html|archiveurl=https://web.archive.org/web/20071217090212/http://www.brainwashed.com/common/htdocs/discog/loci2.html|archivedate=17 December 2007|title=The Wheel|publisher=Brainwashed.com|accessdate=1 January 2007}}</ref> In 2003, Coil began re-releasing many rare works, mostly remixed, into general circulation.<ref name="Arrivals" /> They also launched a download service, where a large amount of their out-of-print music is available. === Style, instruments and creative methods === Coil worked in such genres as industrial, noise, [[:en:Ambient_music|ambient]] and [[:en:Dark_ambient|dark ambient]], [[:en:Neo-folk|neo-folk]], [[:en:Spoken_word|spoken word]], drone, and [[:en:Minimal_music|minimalism]], creating what Balance explicitly referred to as "magickal music".<ref name="Radio Inferno, Dutch Radio4 Supplement2" /> Balance described early Coil work as "solar" and the later work as "moon musick".<ref name="Radio Inferno, Dutch Radio4 Supplement2" /> Coil incorporated many exotic and rare instruments into their recordings and performances. The group expressed particular interest in [[:en:Modular_synthesizer|modular synthesizers]], including the [[:en:Moog_synthesizer|Moog synthesizer]].<ref name="The Complete Interview">{{Cite news|last=Whitney|first=Jon|author-link=Jon Whitney (DJ)|last2=|first2=|author2-link=|title=The Complete Interview|newspaper=Brainwashed.com|pages=|date=5 May 1997|url=http://brainwashed.com/coil/writings/jwint.html|accessdate=26 July 2009|postscript=<!--None-->}}</ref><ref name="Mutek">{{cite web|url=http://brainwashed.com/common/sounds/mp3/coil-interview-peter_mutek-20030516.mp3|title=Mutek|date=15 May 2003|accessdate=10 January 2007}}</ref> Coil are among the few artists who have been granted permission to use the one-of-a-kind experimental [[:en:ANS_synthesizer|ANS photoelectronic synthesizer]] (see ''[[:en:ANS_(box)|ANS]]''). Other instruments the group incorporated into their music included the [[:en:Theremin|theremin]] and electronic [[:en:Shakuhachi|shakuhachi]]. During Coil's later period, [[:en:Marimba|marimba]] player Tom Edwards joined the group, and performed on the live albums ''Live Two'' and ''Live Three'', as well as on the studio album, ''The Ape of Naples''. Coil utilized techniques such as the [[:en:Cut-up_technique|cut-up technique]], [[:en:Recreational_drug_use|ritual drug use]], [[:en:Sleep_deprivation|sleep deprivation]], [[:en:Lucid_dreaming|lucid dreaming]], [[:en:Granular_synthesis|granular synthesis]], [[:en:Tidal|tidal]] shifts, [[:en:John_Dee_(mathematician)|John Dee]]-like methods of [[:en:Scrying|scrying]], [[:en:Glitch_(music)|instrument glitches]], [[:en:SETI|SETI]] synchronization and [[:en:Chaos_theory|chaos theory]].<ref name="The Wire 1752" /><ref name="Alternative Press, Issue 382" /><ref name="La Stampa2" /><ref name="Coil: The Million Dollar Altar" /><ref name="Option, No. 44">{{Cite news|last=Lewis|first=Scott|title=Coil's Agony and Ecstasy|newspaper=[[Option (music magazine)|Option]]|date=May 1992|url=http://brainwashed.com/coil/writings/option.html|accessdate=26 July 2009|postscript=<!--None-->}}</ref><ref name="Mondo 2000">{{Cite news|title=UnCoiled|newspaper=Mondo 2000|url=http://brainwashed.com/coil/writings/mondo.html|accessdate=26 July 2009|postscript=<!--None-->}}</ref> === Religious views === Coil had many associations with [[:en:Paganism|Pagan]] beliefs and were sometimes labeled [[:en:Satanism|satanic]].<ref name="Mondo 2000" /><ref name="Fortean Times">Pilkington, Mark. "[http://www.forteantimes.com/articles/142_coil.shtml Sounds Of Blakeness]". ''Fortean Times'', (2001). Retrieved 27 December 2006. {{wayback|url=http://www.forteantimes.com/articles/142_coil.shtml|date=20061020051810|df=y}}</ref> Balance explicitly referred to himself as a "Born Again Pagan", and described his Paganism as a "spirituality within nature."<ref name="Rattlebag Radio RTE interview2" /> Christopherson, however, described the beliefs of Coil as unassociated:<blockquote>We don't follow any particular religious dogma. In fact, quite the reverse, we tend to discourage the following of dogmas, or false prophets, as it were. And we don't have a very sympathetic view of Christians up to this point. The thing we follow is our own noses; I don't mean in a chemical sense.<ref name="Alternative Press, Issue 382" /></blockquote> === Członkowie zespołu ===
|opis zdjęcia =
** [[:en:John_Balance|John Balance]] was the founder of Coil and was the primary vocalist and composer of Coil's music.
|inne nazwy =
** [[:en:Peter_Christopherson|Peter Christopherson]] was the chief producer.
|rok założenia = 1982
** [[:en:Stephen_Thrower|Stephen Thrower]] worked as a full-time member of Coil from 1987 to 1992.
|rok rozwiązania = 2004
** [[:en:Drew_McDowall|Drew McDowall]] began collaborating with Coil in 1990 and was officially inducted in 1995. He left the group sometime between 1999 and 2000.
|pochodzenie = Wielka Brytania
** Drew's ex-wife, Rose McDowall, provided vocals for several Coil tracks including "Wrong Eye", "Rosa Decidua" and "Christmas Is Now Drawing Near". She also collaborated with Coil for the short lived project [[:en:Rosa_Mundi_(group)|Rosa Mundi]].
|gatunek = [[industrial]], [[post-industrial]], [[muzyka eksperymentalna]], [[muzyka elektroniczna]], [[house]], [[ambient]], [[dark ambient]], [[noise]]
** [[:en:Ossian_Brown|Ossian Brown]] had been a Coil collaborator since about 1992 and joined the group in 2000, touring extensively with them and working on several recordings up until the final Coil album ''The Ape Of Naples''.
|aktywność =
** [[:en:William_Breeze|William Breeze]] was Coil's electric viola player between 1997 and 2000.<ref name="Coil News 1997">{{cite web|url=http://brainwashed.com/coil/news/news1997.html|title=Coil News 1997|publisher=Brainwashed.com|date=1997|accessdate=23 December 2006}}</ref>
|wytwórnia płytowa = [[Important Records]], [[Threshold House]], [[Eskaton]]
|powiązania =
|skład = [[John Balance]]<br />[[Peter Christopherson]]<br />[[Thighpaulsandra]]<br />[[Simon Norris]]
|byli członkowie = [[William Breeze]]<br />[[Danny Hyde]]<br />[[Drew McDowall]]<br />[[Rose McDowall]]<br />[[Stephen Thrower]]
|współpracownicy =
|instrumentarium =
|odznaczenia =
|commons =
|wikicytaty =
|www =
}}
'''Coil''' – eksperymentalny projekt muzyczny utworzony w 1982 roku przez [[John Balance|Johna Balance'a]] (później występującego jako "Jhonn Balance") i jego partnera [[Peter Christopherson|Petera 'Sleazy' Christophersona]]. Duet współpracował na długo przed tym, nim Balance wybrał dla niego nazwę Coil – odwołującą się do wszechobecności kształtu [[spirala|spirali]] w [[natura|naturze]].
 
Pierwszym oficjalnym wydawnictwem Coila była [[EP]] z 1984 roku, zatytułowana ''[[How to Destroy Angels (album Coil)|How to Destroy Angels]]''. Następne albumy – ''[[Scatology]]'', ''[[Horse Rotorvator]]'' i ''[[Love's Secret Domain]]'' nie były sukcesami komercyjnymi, ale zwróciły uwagę krytyki na grupę i wywarły znaczący wpływ na scenę [[Industrial|industrialną]] i tworzącą się scenę [[acid house|acid house'ową]].
** [[:en:Thighpaulsandra|Thighpaulsandra]] became an official member on 26 January 1999 and participated until the final album, ''The Ape Of Naples''. Most notably, he created the entire instrumental for the album ''Queens Of The Circulating Library''.<ref name="Light Shining Darkly">{{cite web|url=http://www.brainwashed.com/coil/discog.html|archiveurl=https://web.archive.org/web/20080116231319/http://brainwashed.com/coil/discog.html|archivedate=16 January 2008|title=Light Shining Darkly: A Coil Discography|publisher=Brainwashed.com|date=2005-01-01|accessdate=23 December 2006}}</ref><ref name="Coil News 1999">{{cite web|url=http://brainwashed.com/coil/news/news1999.html|title=Coil News 1999|publisher=Brainwashed.com|date=1999|accessdate=23 December 2006}}</ref>
 
W 1988 roku grupa zaczęła pracować nad ścieżkami dźwiękowymi do kilku filmów i jeszcze bardziej eksperymentalną muzyką, ostatecznie wydaną pod pseudonimami. W 1999 roku, po szesnastu latach działalności, Coil dał pierwsze koncerty, do 2004 roku odbywając kilka mini-tras koncertowych.
** [[:en:John_"Zos_Kia"_Gosling|John Gosling]] performed with the initial live incarnation of Coil and on ''[[:en:Transparent_(Coil_album)|Transparent]]''.
** [[:en:Tom_Edwards_(musician)|Tom Edwards]] participated in Coil's live incarnation, and was Coil's [[:en:Marimba|marimba]] player from 2000 on.<ref name="Supersonic">{{cite web|url=http://brainwashed.com/common/sounds/mp3/coil-interview-supersonic-20030712.mp3|title=Supersonic|publisher=(unknown radio station)|date=12 July 2003|accessdate=10 January 2007}}</ref>
 
Tragiczna śmierć Johna Balance'a 13 listopada 2004 roku była powodem zakończenia działalności Coila.
** Cliff Stapleton played [[:en:Hurdy-gurdy|hurdy-gurdy]] on several live performances, as well as in the studio for Coil at various points throughout the 2000s.
 
** Massimo & Pierce of [[:en:Black_Sun_Productions|Black Sun Productions]] were members of Coil Live in 2002. However, they were stage performers, never contributing musically other than reading the poetic introduction to "Ostia" during live performances.<ref name="Mutek" />
==Tribute albumy==
** Mike York was part of the [[:en:Coil_Live|Coil Live]] collective for a limited time. === Influence ===<!-- Deleted image removed: [[File:2000June17CoilWithStockhausenAtSonar.jpg|thumb|250px|right|Coil with [[Karlheinz Stockhausen]] at the Sonar festival on 17 June 2000.]] --> Although Coil expressed interest in many musical groups, they rarely, if ever, claimed to be influenced by them. Coil explicitly stated the influence of such non-musical sources as [[:en:William_Burroughs|William Burroughs]], [[:en:Aleister_Crowley|Aleister Crowley]], [[:en:Bryon_Gysin|Bryon Gysin]] and [[:en:Austin_Spare|Austin Spare]].<ref name="Radio Inferno, Dutch Radio4 Supplement2" /> Furthermore, the group were friends with Burroughs and owned some of Spare's original artwork.<ref name="Mutek" /> Balance encouraged fans to trade, discuss and discover new and different forms of music, stressing the importance of variety. Music that Coil expressed interest in is diverse and wide-ranging, from [[:en:Musique_concrète|musique concrète]] to [[:en:Folk_music|folk music]] to [[:en:Hardcore_punk|hardcore punk]] to [[:en:European_classical_music|classical]] to [[:en:Techno|techno]]. Among the musicians Coil expressed interest in were early electronic, experimental and minimalistic artists: [[:en:Harry_Partch|Harry Partch]], [[:en:La_Monte_Young|La Monte Young]], [[:en:Karlheinz_Stockhausen|Karlheinz Stockhausen]] (once referred to by Balance as "an honorary member of Coil"), [[:en:Alvin_Lucier|Alvin Lucier]], and [[:en:Arvo_Pärt|Arvo Pärt]].<ref name="The Complete Interview" /><ref name="Sylus">{{Cite news|last=McKeating|first=Scott|author-link=|last2=|first2=|author2-link=|title=Sleazy: The Sylus Interview Series|newspaper=Stylus|pages=|date=12 April 2004|url=http://www.stylusmagazine.com/feature.php?ID=937|accessdate=26 July 2009|postscript=<!--None-->}}</ref><ref name="Convulsion (2)">{{Cite news|last=Moore|first=Dorian|author-link=|last2=|first2=|author2-link=|title=Coil: Beyond The Eskaton|newspaper=Convulsion|pages=|year=|date=|url=http://www.obsolete.com/convulsion/interviews/coil/1.html|accessdate=26 July 2009|postscript=<!--None-->}}</ref> Coil also expressed interest in [[:en:Krautrock|krautrock]] groups including [[:en:Cluster_(band)|Cluster]], [[:en:Amon_Düül_II|Amon Düül II]], [[:en:Can_(band)|Can]], [[:en:Kraftwerk|Kraftwerk]] and [[:en:Tangerine_Dream|Tangerine Dream]]. Rock musicians and groups Coil have expressed interest in are: [[:en:Angus_Maclise|Angus Maclise]], [[:en:Captain_Beefheart|Captain Beefheart]], [[:en:Flipper_(band)|Flipper]], [[:en:Leonard_Cohen|Leonard Cohen]], [[:en:Lou_Reed|Lou Reed]], [[:en:Nico|Nico]], [[:en:Pere_Ubu_(band)|Pere Ubu]], [[:en:The_Birthday_Party_(band)|The Birthday Party]], [[:en:The_Velvet_Underground|The Velvet Underground]] and [[:en:The_Virgin_Prunes|The Virgin Prunes]].<ref name="Radio Inferno, Dutch Radio4 Supplement2" /><ref name="Rattlebag Radio RTE interview2" /><ref name="The Complete Interview" /><ref name="Sylus" /><ref name="Convulsion (2)" /><ref name="Grok 6">{{Cite news|last=|first=|author-link=|last2=|first2=|author2-link=|title=The Price Of Existence Is Eternal Warfare|newspaper=Grok|pages=|date=November 1983|url=http://www.brainwashed.com/axis/coil/grok.htm|accessdate=26 July 2009|postscript=<!--None-->|archiveurl=http://web.archive.org/web/20060710200804/http://www.brainwashed.com/axis/coil/grok.htm|archivedate=2006-07-10}}</ref> Coil expressed an interest in the Russian composer [[:en:Igor_Stravinsky|Igor Stravinsky]], and in 1986 used a sample of a piece of his music on the ''[[:en:Horse_Rotorvator|Horse Rotorvator]]'' song "The Anal Staircase". Furthermore, on the album ''[[:en:Black_Antlers|Black Antlers]]'' Coil dedicated a song to [[:en:Sun_Ra|Sun Ra]] and covered a song by Bam Bam.<ref name="Stator Magazine">{{cite web|url=http://brainwashed.com/coil/writings/stator.html|title=Stator Magazine|publisher=Stator Magazine|date=1987|accessdate=27 December 2006}}</ref> Coil's influence on electronic music has become more evident since the death of Balance, with electronic musicians from all over the world collaborating on a series of tribute albums. Some notable artists who appear on these albums are [[:en:Alec_Empire|Alec Empire]], [[:en:Chris_Connelly_(musician)|Chris Connelly]] and [[:en:K.K._Null|K.K. Null]] (see ''[[:en:...It_Just_Is|...It Just Is]]''). [[:en:Nine_Inch_Nails|Nine Inch Nails]] front-man [[:en:Trent_Reznor|Trent Reznor]] also expressed the significant influence that the group had on his work in February 2014:<ref>{{cite web|url=http://www.rollingstone.com/artists/nineinchnails|title=Nine Inch Nails|accessdate=12 February 2007|author=|last=|first=|authorlink=|date=|year=|format=|work=|publisher=Rolling Stone|pages=|archiveurl=|archivedate=|quote=Influences[:] Skinny Puppy[,] Foetus[,] Coil[,] Ministry}}</ref><blockquote>[Coil's] 'Tainted Love' video remains one of the greatest music videos of all time. I was always more attracted to Coil than Throbbing Gristle; the darkness and the scatology really chimed with me. If it's not immediately obvious: Horse Rotorvator was deeply influential on me. What they did to your senses. What they could do with sound. What Jhonn was doing lyrically. The exotic darkness of them permeated their work.<ref name="Harry">{{cite web|title=Trent Reznor On Coil & Nine Inch Nails, Plus Recoiled Review|url=http://thequietus.com/articles/14600-trent-reznor-interview-coil-nine-inch-nails|work=The Quietus|publisher=The Quietus|accessdate=28 February 2014|author=Harry Sword|date=27 February 2014}}</ref></blockquote>The track "At The Heart Of It All" (found on ''Scatology'') later became the name of an [[:en:Aphex_Twin|Aphex Twin]] track on the Nine Inch Nails remix album ''[[:en:Further_Down_the_Spiral|Further Down the Spiral]]''; Coil also provided remixes for ''Further Down the Spiral''. Furthermore, in 2010, Reznor, [[:en:Mariqueen_Maandig|Mariqueen Maandig]] and [[:en:Atticus_Ross|Atticus Ross]] started a new band called [[:en:How_to_Destroy_Angels_(band)|How To Destroy Angels]]—named after the Coil song—which received Christopherson's blessing after Reznor made contact with him.<ref name="Harry" /> == Dyskografia ==
W 2009 roku ukazał się album-hołd pod szyldem [[This Immortal Coil]]. Tacy artyści jak m.in. [[Matt Elliott]], [[Yann Tiersen]] czy [[Bonnie 'Prince' Billy]] przedstawili własne interpretacje wybranych utworów Coil<ref>[http://www.uwolnijmuzyke.pl/this-immortal-coil-the-dark-age-of-love This Immortal Coil - The Dark Age of Love - Recenzja - Uwolnijmuzyke.pl]</ref>.
{{main|Coil discography}}Coil's rapid musical output over two decades resulted in a large amount of releases, side projects and remixes as well as collaborations. '''Primary, full-length, Coil studio albums:'''
 
** ''[[:en:Scatology_(album)|Scatology]]'' (1984)
== Dyskografia ==
** ''[[:en:Horse_Rotorvator|Horse Rotorvator]]'' (1986)▼
{{osobny artykuł|Dyskografia Coil}}
** ''[[:en:Gold_Is_the_Metal_with_the_Broadest_Shoulders|Gold Is the Metal with the Broadest Shoulders]]'' (1987)▼
=== Albumy ===
** ''[[:en:Love's_Secret_Domain|Love's Secret Domain]]'' (1991)▼
* [[1984]] ''[[Scatology]]''
** ''[[:en:Stolen_&_Contaminated_Songs|Stolen & Contaminated Songs]]'' (1992)
▲** [[1986]] ''[[:en:Horse_Rotorvator|Horse Rotorvator]]'' (1986)
** ''[[:en:Astral_Disaster|Astral Disaster]]'' (1999)▼
▲** [[1987]] ''[[:en:Gold_Is_the_Metal_with_the_Broadest_Shoulders|Gold Is the Metal with the Broadest Shoulders]]'' (1987)
** ''[[:en:Musick_to_Play_in_the_Dark_Vol._1|Musick to Play in the Dark Vol. 1]]'' (1999)▼
▲** [[1991]] ''[[:en:Love's_Secret_Domain|Love's Secret Domain]]'' (1991)
** ''[[:en:Queens_of_the_Circulating_Library|Queens of the Circulating Library]]'' (CD) (2000 April)
* [[1994]] ''[[The Angelic Conversation (album Coil)|The Angelic Conversation]]''
** ''[[:en:Musick_to_Play_in_the_Dark_Vol._2|Musick to Play in the Dark Vol. 2]]'' (2000)▼
* [[1995]] ''[[Worship the Glitch]]''
** ''[[:en:Constant_Shallowness_Leads_to_Evil|Constant Shallowness Leads to Evil]]'' (2000)▼
* [[1996]] ''[[A Thousand Lights in a Darkened Room]]'' (jako Black Light District)
** ''[[:en:The_Remote_Viewer|The Remote Viewer]]'' (CD-R/2XCD) (2002 May)
* [[1998]] ''[[Time Machines]]''
** ''[[:en:The_Restitution_of_Decayed_Intelligence|The Restitution of Decayed Intelligence]]'' (10") (2003 May)
▲** [[1999]] ''[[:en:Astral_Disaster|Astral Disaster]]'' (1999LP)''
** ''[[:en:Black_Antlers|Black Antlers]]'' (2004)▼
▲** [[1999]] ''[[:en:Musick_to_Play_in_the_Dark_Vol._1|Musick to Play in the Dark Vol. 1]]'' (1999)
** ''[[:en:The_Ape_of_Naples|The Ape of Naples]]'' (2005)▼
* [[2000]] ''[[Astral Disaster]] (CD)''
** ''[[:en:The_New_Backwards|The New Backwards]]'' (2008) == See also ==
▲** [[2000]] ''[[:en:Constant_Shallowness_Leads_to_Evil|Constant Shallowness Leads to Evil]]'' (2000)
** [[:en:Coil_Live|Coil Live]] == References ==
▲** [[2000]] ''[[:en:Musick_to_Play_in_the_Dark_Vol._2|Musick to Play in the Dark Vol. 2]]'' (2000)
{{Reflist|colwidth=30em}} == External links ==<!--Please keep "the official %%% website" wording for Google:-->
* [[2003]] ''[[The Plastic Spider Thing]] (Remixed)''
** [https://www.discogs.com/artist/660-Coil/ Discogs] - Coil discography
* [[2003]] ''[[Moon's Milk]]''
** [http://www.brainwashed.com/coil/ Brainwashed.com/coil]
* [[2003]] ''[[Live One]]''
*; Interviews
* [[2003]] ''[[Live Two]]''
* [[2003]] ''[[Live Three]]''
* [[2003]] ''[[Live Four]]''
* [[2004]] ''[[Selvaggina, Go Back into the Woods]]''
* [[2005]] ''[[…And the Ambulance Died in His Arms]]''
▲** [[2005]] ''[[:en:The_Ape_of_Naples|The Ape of Naples]]'' (2005)
▲** [[2006]] ''[[:en:Black_Antlers|Black Antlers]]'' (2004)
* [[2008]] ''[[The New Backwards]]''
 
{{Przypisy}}
 
== Linki zewnętrzne ==
* [http://www.thresholdhouse.com/ Oficjalna strona zespołu]
* {{AllMusic|id=mn0000105561}}
 
[[Kategoria:Zespoły muzyki awangardowej]]
Źródło: „https://pl.wikipedia.org/wiki/Coil”